Ken Burns reflecting on His Latest War of Independence Project: ‘We Won’t Work on a More Important Film’
Ken Burns has evolved into beyond being a historical storyteller; he is a brand, an unparalleled production entity. Whenever he releases documentary series arriving on the television, everyone seeks a part of him.
He participated in “more fucking podcasts than I ever thought possible”, he says, wrapping up of his extensive publicity circuit featuring numerous locations, 80 screenings plus countless media sessions. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”
Happily the filmmaker is incredibly dynamic, as loquacious behind the mic as he is accomplished in the editing room. At seventy-two has gone everywhere from historical sites to mainstream media outlets to discuss a career-defining series: this historical epic, a comprehensive multi-part historical examination that occupied ten years of his career and debuted this week on public television.
Defiantly Traditional Approach
Similar to traditional cooking in today’s rapid-consumption era, Burns’ latest project is defiantly traditional, reminiscent of traditional war documentaries as opposed to modern digital documentaries audio documentaries.
For the documentarian, whose professional life exploring national heritage spanning various American subjects, its origin story is not just another subject but foundational. “I said this to my co-director Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns states during a telephone interview.
Massive Research Effort
The filmmaking team along with writer Geoffrey Ward drew upon numerous historical volumes and other historical materials. Dozens of historians, representing diverse viewpoints, offered expert analysis together with prominent academics from a range of other fields including slavery, Native American history and imperial studies.
Signature Documentary Style
The documentary’s methodology will feel familiar to devotees of The Civil War. The characteristic technique featured methodical photographic exploration across still photos, extensive employment of contemporary scores featuring talent interpreting primary sources.
That was the moment Burns built his legacy; a generation later, presently the respected veteran of historical films, he can attract any actor he chooses. Collaborating with the filmmaker during a recent appearance, the Hamilton creator Lin-Manuel Miranda observed: “A call from Ken Burns commands immediate acceptance.”
Remarkable Ensemble
The extended filming period also helped in terms of flexibility. Recordings took place at professional facilities, in relevant places using online technology, a tool embraced throughout the health crisis. The director describes working with Josh Brolin, who found a few free hours in Atlanta to perform his role as George Washington prior to departing to subsequent commitments.
Additional performers feature numerous acclaimed actors, established Hollywood talent, emerging and established stars, household names and rising talent, celebrated film and stage performers, British and American talent, skilled dramatic performers, Wendell Pierce, Matthew Rhys, Liev Schreiber, and many others.
The filmmaker continues: “Truly, this might be the most exceptional group ever assembled for any movie or television show. Their contributions are remarkable. Selection wasn’t based on fame. I became frustrated when someone asked, regarding the famous participants. I responded, ‘These are performers.’ They’re the finest actors in the world and they animate historical material.”
Historical Complexity
Still, no contemporary observers remain, modern media forced Burns and his team to lean heavily on historical documents, integrating personal accounts of multiple revolutionary participants. This approach enabled to show spectators beyond the prominent leaders of the founders along with multiple who are seminal to the story”, numerous individuals never even had a portrait painted.
Burns additionally pursued his personal passion for maps and spatial representation. “I love maps,” he notes, “featuring increased geographical representation in this project compared to previous works I’ve done combined.”
International Impact
Filmmakers captured footage at nearly a hundred historical locations across North America and in London to document environmental context and partnered extensively with re-enactors. All these elements combine to tell a story more violent, complex and globally significant than the one taught in schools.
The documentary argues, was no mere parochial quarrel concerning territory, taxes and political voice. Conversely, the project presents a blood-soaked struggle that eventually involved numerous countries and unexpectedly manifested described as “the noble aspirations of humankind”.
Brother Against Brother
Initial complaints and protests aimed at the crown by American colonists in 13 fractious colonies rapidly became a brutal civil conflict, pitting family members against each other and turning communities into battlegrounds. During the second installment, the historian Alan Taylor observes: “The primary misunderstanding regarding the Revolutionary War is that it was something a unifying experience for colonists. This ignores the truth that it was a civil war among Americans.”
Historical Complexity
In his view, the independence account that “for most of us suffers from excessive romance and wistful remembrance and is incredibly superficial and insufficiently honors for what actually took place, all contributors and the incredible violence of it.
The historian argues, a movement that announced the transformative concept of inherent human rights; a brutal civil war, dividing revolutionaries and royalists; and a worldwide engagement, another installment in a sequence of wars between imperial nations for dominance in the New World.
Contingent Historical Events
Burns also wanted {to rediscover the